Tea sets rose 50% to start or wait and see

Today, tea sets are becoming a potential collection for investors to see. For example, a potter who was made by a famous Gu Jingzhou ten years ago was worth 200,000 yuan at the time, and now the minimum value has exceeded one million yuan, and the highest is even more than ten million yuan. Porcelain bank experts in China stated that the highest potential for market appreciation currently lies in purple tea sets and porcelain tea sets.

Porcelain library China Xiao Bian found in the Pearl City Tea City, Tianjin, modern tea sets are now becoming collectors hot pets. “In the summer, sales of tea sets have increased by about 30% from usual, and porcelain tea in particular has become popular. Prices are also all the way up.” Li Qing, who has been in the business for more than ten years, told the author that compared to the Zisha tea set, porcelain tea set The increase was relatively stable. Recently, Jingdezhen porcelain mud rose by 30% to 50%, Jingdezhen porcelain teaware rose by 20% to 30%. For example, the price of a Jingdezhen blue-and-white handmade porcelain cup has risen from 80 yuan last year to 120 yuan. In one year, the price has risen by 50%.

In addition to rising raw materials, the famous brand effect is also an important factor in promoting the price of tea utensils. Judging from the current market price, the price of a work piece is almost 10 times higher for every level raised by a craftsman. For example, if a national craftsman works at around RMB 500,000, the price of a masterpiece is soaring. Yuan, which was only between 1.5 million and 2 million yuan in previous years. Where is the difference between the master pot and the ordinary pot? According to Professor Li Liu of China Library, the master pot has its own unique style and innovative style. As a craft, whether it is in the production process or expressive force is very different from the ordinary teapot, the master's accumulation and quality will be reflected in the "work, type, mud, money". The threshold for discriminating modern teapots is not high, and many times you can ask the masters or their relatives for verification.

Collection of teapot on the one hand must be based on its own economic strength and on the other hand basic knowledge. At the same time, the choice of a good pot cannot have rigid rules such as price. Prof. Liu summed up: “At this time, candidates must have patience. They should choose pots with high artistic value for collection. Because there is a large space for the appreciation of works with high artistic value.”